Directed by Theodore Melfi
Written by Theodore Melfi and Allison Schoeder (screenplay)
Margot Lee Shetterly (novel)
Starring Taraji P. Henson, Octavia Spencer, Janelle Monae and Kevin Costner
From St. Vincent director, Theodore Melfi comes an inspiring tale of the untold true stories of three African-American female mathematicians who all played a key role in calculating the momentous launch of astronaut John Glenn into space. A heroic tale of three woman overcoming race and gender in the workplace during the 1960's Civil Right Movement. A tale that I honestly knew nothing about before seeing this movie.
Set in the mid 20th century, Katherine Johnson (Taraji P. Henson), Dorothy Vaughn (Octavia Spencer) and Mary Jackson (Janelle Monae) are three "human computers" working at NASA but are widely under appreciated as they are stuck working in an employee-temp circle with many other black women. As the race to get a man in space starts to heat up with America wanting to beat Russia, Katherine, Dorothy and Mary start to work their way up, especially Katherine, being that she's the only human computer who knows analytical geometry, finds herself working directly on the John Glenn launch into space with some of NASA's top scientists including leader of the operation Al Harrison (Kevin Costner).
Despite the misogyny and racial segregation of the time, these three women prevail from "colored" bathrooms and coffee pots (yes, I said coffee pots) to being some of the key minds that were responsible for John Glenn's successful manned mission into space, and his anticipated return home. Melfi beautifully tells not just a story of three extremely intelligent women working for NASA, he reminds us all of the discrimination that men and women of color went through at this time (and he does so very mildly as this film is rated PG). We are reminded that there were segregated drinking fountains, sections of the library and even schools despite the 1954 Supreme Court case, Brown vs. Board of Education which declared segregated schools to be unconstitutional. Virginia being an exception to this court ruling still had all white schools, which we see in the movie as Mary attempts to take night classes to become an engineer.
While this film does have a powerful message of these basically hidden NASA African-American women breaking racial and gender boundaries, it also has some refreshing humor with three working women's friendship. We get so see some quite comical car ride scenes and scenes from their personal lives which make them a little more relatable.
Hidden Figures brought some very enjoyable acting performances that I felt were right on this invisible cusp almost Oscar nomination worthy but not quite there. Henson's main character was a lot different from her Empire character, Cookie. She plays such a soft spoken, sensitive character prone to pushing up her glasses on her face who did have one scene where she stands up for herself in a very inspirational Cookie-esque manner. Octavia Spencer brought her usual sense of bold humor mixed with some powerful authoritative scenes. Who knew Janelle Monae could act? Being one of her first acting performances I thought she did pretty great. Oscar worthy? No... but great none the less. We also see some supporting performances in this film that are worth mentioning like Kirsten Dunst who plays the condescending white supervisor who is holding Dorothy Vaughn back. Jim Parsons also has a supporting role as Katherine's arch-nemisis Jim Stafford, who is always giving her ridiculous tasks and feeling envious of her progress. You can't like every character in the movie.
After seeing this movie and becoming much more informed on the impact these three women had on Glenn's launch into space, I can say I am very joyous that author Margot Lee Shetterly celebrated their story in her book. Melfi and Schroeder inventively craft their story into a brilliant film about friendship, conquering injustice, and being very very good at math.
I give Hidden Figures a...
7/10
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